Not escaping his Floyd past, but paying tribute to it, the record still contains a freshness, thanks in part to Charlie Andrew, whose production work with Alt-J Gilmour was impressed with. It’s not Gilmour’s best work since ‘A Dark Side of the Moon’, as he claims, but it’s still a fine album. The lyrics might be looking at the past, but the music is looking to Gilmour’s future.
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